Midge Ure2019-01-18T15:47:24+00:00

    Artist Bio

    Midge Ure

    An artist who has received Ivor Novello, Grammy, BASCAP awards along with a flotilla of gold and platinum records, really needs very little introduction. Musical success is seldom measured in time spans of more than a few years, if not Andy Warhol’s often quoted “fifteen minutes”, so the fact that by the time Midge’s single “If I Was” went to No1 in 1985 he had already crammed several musical lifetimes into a 10 year professional career speaks volumes – Slik, The Rich Kids, Thin Lizzy, Visage, Ultravox and of course the most famous one off group in musical history Band Aid had by then all had the guiding hand of his musical navigation.

    Then you have to take account of Midge’s musical directorship of a series of rock concerts for The Prince’s Trust, Night of the Proms, Wicked Women for Breakthrough and in honour of Nelson Mandela; record production for Phil Lynott, Steve Harley and countless others; his video direction of memorable hits by the Fun Boy Three, Bananarama and others, or a whole swathe of landmark singles by Ultravox; TV, theatre and film music credits ranging from ‘Max Headroom’ to stage and big screen.

    Midge appeared to the wider public in a moment of heady teen success with Slik. Their sway-along single ‘Forever And Ever’ took over at No.1 in the UK from Abba’s ‘Mamma Mia’ on Valentine’s Day 1976. Soon outgrowing Slik’s pop dimensions, Midge was snapped up by ex-Sex Pistol Glen Matlock the following year for his new outfit, the Rich Kids, who charted amid an avalanche of press with a self-titled EMI single early in 1978. By 1979, with his name being added to many musicians’ contact book, Ure had been asked by Billy Currie, Chris Cross and Warren Cann to become the new frontman in Ultravox.

    The band was a major influence on the new romantic and electro-pop movements of the early ’80s. Their successful trademark was combining Midge’s powerful guitar riffs with sweeping synthesiser motifs, enigmatic imagery and state-of-the-art visuals. Tracks like ‘Reap the Wild Wind’, ‘Dancing With Tears in My Eyes’, ‘Love’s Great Adventure’ and 1981’s timeless ‘Vienna’ were all massive hits the world over as they charted with awesome regularity, not only on single, but with seven consecutive top ten albums in just six years. Indeed, Vienna recently was voted the Nation’s favourite number 2 single of the 80’s, finally granting it a coveted Number 1 position!

    Even by then, the Midge Ure story had some individual chapters, of course. He wrote and produced “Fade to Grey” for Visage in 1980, then hit the top 10 in the summer of 1982 with his first release under his own name, an atmospheric take on the Tom Rush song made famous half a dozen years earlier by the Walker Brothers, ‘No Regrets‘.

    Then came November 25, 1984, a historic day for Midge and all of pop music, as 36 artists by the collective name Band Aid gathered at SARM Studios in west London under Ure’s production. They recorded ‘Do They Know It’s Christmas?’ a song he had just written with Bob Geldof as the industry’s heartfelt and eloquent contribution to Ethiopian famine relief. 600,000 copies sold in its first week in the UK alone was only the beginning: 800,000 more were bought in the second week, more than three million world-wide, and the unstoppable emotion engendered by the project led to Live Aid, the summer 1985 global concert that, all exaggeration aside, spoke for a generation.

    Within months, a staggering £8 million had been raised for the starving in Africa, and Geldof said that without Ure’s initial enthusiasm for the idea, not to mention his rapidly penned sketch for the single, neither Band Aid nor Live Aid could have happened.

    Just two months after Live Aid, Midge was back at No.1 in Britain, this time under his own name, with ‘If I Was’, and by the autumn he had a No.2 solo album to accompany it, entitled ‘The Gift’. Further solo albums followed with “Answers to Nothing” in 1988 and “Pure” in 1991 on BMG.

    Soon after Midge was busy producing and writing with and for various artists, both established and unsigned, at his studio in Bath, and writing music for films. Other duties included the ‘Music for Montserrat’ benefit at the Royal Albert Hall alongside Sir Paul McCartney, Elton John and Eric Clapton.

    He then went on to be executive producer for the Band Aid 20 single working with the likes of Paul McCartney, Joss Stone and Fran Healey.

    Midge’s services to both music and charity were finally recognised in the Birthday Honours list in 2005, when Midge was awarded a long overdue OBE. He also released his autobiography “If I Was” through Virgin books.

    He’s also received honorary doctorates from both Edinburgh and Dundee Universities, mainly in recognition for his work with Band Aid and Live 8. Midge actually managed to fit in a performance at the Edinburgh Live8 show in Murreyfield in July where he played with Eddie Izzard on piano! Surely a first!

    April 2009 saw the unthinkable happen – ULTRAVOX REFORMED and subsequently released a new album in 2012 and toured the UK and Europe culminating in the band being Special Guests of Simple Minds on their UK arena tour, ending at a sold out show at the O2 Arena, London.

    Britain’s Best Part Time Band was a series filmed and aired by the BBC during 2016, which Midge co-hosted with comedian Rhod Gilbert. He also started work on re-recording his classic hits rearranged for a live orchestra which is due to be released by BMG later this year.

    The end of 2017, after completing a 36 date tour with his Band Electronica,  saw Midge and Ty Unwin release “Orchestrated” through BMG, a collection of his material reimagined with anthemic, sweeping, filmscapes of sound that reached #5 on the Amazon UK chart. “Breathe” has been playlisted on BBC Radio 2 for 4 consequetive weeks.